Writing’s biggest challenge?
Writing any book-length work is a deep dive into complete freedom. You have utter freedom because the blank page holds limitless possibility.
Aside from genre requirements (thrillers need good pacing and high stakes, romances need a Happily Ever After—or a Happily For Now), you can tell the story using any character you choose to invent, going through any set of experiences you can devise, in any environment you can design.
A superintelligent banana piloting a spaceship? Yes. A bad father running away from his son? Sure. A veteran of two wars founding an organic farm? Absolutely. The only job you have as the writer is to make it work. To rephrase that, you have only one job as a writer, and that’s to make the reader turn the page.
This is where it gets tricky. Getting the reader to turn the page involves many decisions, and making these decisions—even knowing what these decisions are—can take an extraordinary amount of time and anguish if you’ve never done it before.
If you have been afraid of making the wrong decision when you work on your project, rest assured:
You will make plenty.
They will be obvious later.
They will show you the way.
Every decision you make sends you further along a particular path. Once you decide your hero’s a banana, you can’t have him doing tasks that require arms. Once you decide the son is nine, you can’t give him the ability to buy a plane ticket and chase his delinquent father across the globe. You have to work with the situation and the characters you’ve set up.
Making no decisions would be like trying to create a sculpture of “everything”—it can’t be done. When creating any piece of art—painting, sculpture, ceramics, textiles, dance, theatre—you have to choose, narrow things down and decide what to include in the thing you’re making.
Taking a long time to choose doesn’t make for better choices. So give it a bit of thought, then choose and see what happens. Decisiveness saves you time, and time is one of the writer’s biggest allies.
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